The Problem of Form in Painting and Sculpture Classic Reprint Adolf Hildebrand 9781330070734 Books
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Excerpt from The Problem of Form in Painting and Sculpture
Idea of the architectonic structure into the focus of attention, to develop from this point of view the prob lems which form presents and to show their immediate dependence on our relation to Nature. Let it be noted, however, that this dependence does not exclude an ar tist's individuality. Heart and lungs are requisite for life, yet this necessity does not preclude individual va riations in the human body. A person's individuality does not consist in the presence or absence of particu lar organs, but in their various degrees of development. Just as we are able to demonstrate on what the sound ness of a body depends, so may we also demonstrate the nature of the general problems of art and their solutions without excluding the artist's individuality. For, whatever his individuality may be, his work must give a true answer to the questions which Nature puts to him. It is evident that in accordance with the artist's personal development this or that problem will domi nate and become the main one to be The anarchists solved. In no case, however, is ar Of art. Tistic ability manifest in wilfully ignoring the requirements of the material worked in. Those artists who deny any kind of Objective demands are the anarchists of Art, and are not to be taken seriously. It is characteristic of these artists that their incapacity to develop in architectonic manner that which they strive to achieve through imi tation alone, should awaken in them a vague sense of inefficiency; and that they should seek to compensate for this by the addition of something suggestive'or symbolic, intending thereby to raise their work to a higher poetic plane. But sculpture and painting do not.
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The Problem of Form in Painting and Sculpture Classic Reprint Adolf Hildebrand 9781330070734 Books
The book is an exceptional resource, with very clear thinking about painting that precedes many modern movements. The only issue with this printing is that the usual printing of pages is reversed: normally p. 1 is the "recto" page on the right side, as are all odd numbered pages, and even ones are the left "verso" side. This may only be an issue for those like me who have read and have copies of the original book.Product details
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The Problem of Form in Painting and Sculpture Classic Reprint Adolf Hildebrand 9781330070734 Books Reviews
The essence of art, explained. If you're serious, read this.
Art takes place in between two planes, like life, but not.
The book is an exceptional resource, with very clear thinking about painting that precedes many modern movements. The only issue with this printing is that the usual printing of pages is reversed normally p. 1 is the "recto" page on the right side, as are all odd numbered pages, and even ones are the left "verso" side. This may only be an issue for those like me who have read and have copies of the original book.
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